Review
Dune: Part Two Is Bigger and Better
Director Denis Villeneuve finally provides some meat for all that spice.
By Richard Lawson
Critic’s Notebook
This Is Me... Now Is Jennifer Lopez’s Sickly Sweet Lemonade
In her new visual album, the diva proves she’s always been a better actor than pop star.
By Richard Lawson
Review
Madame Web Gets Tangled Up in Itself
Dakota Johnson can’t find her way through a clumsy superhero origin story.
By Richard Lawson
Review
Lisa Frankenstein Is Less Than the Sum of Its Parts
A new horror-comedy from writer Diablo Cody lets a fun idea go to waste.
By Richard Lawson
Review
One Day Tells a Beautiful, Bittersweet Love Story
Ambika Mod and Leo Woodall work naturalistic wonders in a Netflix adaptation of the popular novel.
By Richard Lawson
Review
Matthew Vaughn’s Pattern Wears Thin in Argylle
Bryce Dallas Howard and Sam Rockwell star in a spy caper that’s about as exciting as a pair of old socks.
By Richard Lawson
Review
Capote vs. the Swans Bitterly Depicts the End of an Era
Soapy but satisfying, the second installment of the Feud series makes a mark.
By Richard Lawson
Review
Masters of the Air Is a Harrowing, Sky-Bound Band of Brothers
Tom Hanks and Steven Spielberg present another compelling miniseries about men in war.
By Richard Lawson
sundance 2024
Aubrey Plaza Symbolizes Doom to Come in Charming Fable My Old Ass
Written and directed by Megan Park, this Sundance gem focuses on a teenager unexpectedly confronted by her older self (Plaza).
By Richard Lawson
Live from New York
Jacob Elordi, Renée Rapp, and Rachel McAdams (!) Enliven SNL
On a Saturday Night Live aimed squarely at the Euphoria generation, the original Regina George stole the show.
By Karen Valby
sundance 2024
Buffy, Fandom, and Identity Converge Powerfully in I Saw the TV Glow
Jane Schoenbrun’s followup to We’re All Going to the World’s Fair is a profound must-see.
By Richard Lawson
Sundance 2024
Saoirse Ronan Beautifully Anchors Recovery Drama The Outrun
A memoir adaptation of the highest order, The Outrun is a moving story of growth and acceptance.
By Richard Lawson
Reviews
The Curse Was a Great Show, Until That Terrible Finale
Unpacking the grand conclusion of Nathan Fielder and Benny Safdie’s uncategorizable series, which retroactively ruins the rest of the show.
By Richard Lawson
Reviews
We Didn’t Need a New Mean Girls, But the One We Got Is Pretty Good
Tina Fey’s updated script goes a long way toward making the case for this retread, based on Fey’s own Mean Girls musical.
By Hillary Busis
Review
True Detective Season 4 Is a Bold Step in a New Direction
Jodie Foster investigates a spooky murder case in the frigid, permanent “night country” of Alaska.
By Richard Lawson
Reviews
Society of the Snow Revisits a Horrific, Often Retold Survival Story
J.A. Bayona’s movie, now on Netflix, is a Spanish-language take on a tale that got the Hollywood treatment in 1993’s Alive. But which plane crash cannibalism movie is right for you?
By Richard Lawson
Review
Anyone but You Is Not Quite Romantic, Not Quite Comedic
Glen Powell and Sydney Sweeney star in a rom-com that coasts on good looks.
By Richard Lawson
Review
The Color Purple Is a Sturdy Song-Delivery System
Fantasia Barrino, Danielle Brooks, and Taraji P. Henson get the job done.
By Richard Lawson
Review
There Are No Winners in Wrestling Drama The Iron Claw
Zac Efron does his best to lend a brutal story some real humanity.
By Richard Lawson
Review
Leave the World Behind Is the Good Kind of Grim
Julia Roberts, Mahershala Ali, and Ethan Hawke confront the end of everything.
By Richard Lawson
Review
Timothée Chalamet’s Prequel Wonka Is Surprisingly Scrumdiddlyumptious
Who would have guessed a Warner Bros. brand extension could be so charming?
By Richard Lawson